Slot Machine Gadgets Slot Machine Gadget?

SHALL WE DANCE: FOR
CECILIA SCHOOL OF DRAMATIC ART BY PAUL GRASSI
Salasco 4-20136 MILANO
FROM 16.30 AM TO THE DANCE OF MEMORY 23



a marathon dancer, of all spending
Transposition in the past: like the offer you!
And in the final vortex, this tree of movement,
not all concentrated in itself the year, already disappeared?
Reiner Maria Rilke Sonnets to Orpheus I (II-18)

Some time ago the School of Dramatic Art opened an exhibition entitled Settembrina SHALL WE DANCE: The title now reads repeated continuity planning the Course of Dance Theatre, also wants to maintain constant visibility to give to his students and former students, often working in groups and national companies, European and international. Today's cars, in particular, combined joy and sorrow, joy and nostalgia.
SHALL WE DANCE: FOR CECILIA began as a contribution to the Festival Theatre, but also and above all, on the initiative of former students who graduated in 2001, to remember Cecilia Poli, who died prematurely in August two years ago: a radiant dancer from large blue eyes and the frantic need to be on stage, who thought the school his second home, and within three years of his stay, loved by fellow students, spread around him that same calmness that has brought fighting to overcome several painful operations in the hope of winning, even after they become a mother, the battle waged against a fatal disease.
Eight fellow Cecilia present at the conclusion of this marathon of alumni "Paolo Grassi", short dances or performances in his honor. Justified by obligations to work abroad, even absent colleagues in that course which ended in 2001 - in some ways as a number of exceptional talent and cohesiveness of group - gather around to his memory.
The other participants in SHALL WE DANCE: FOR CECILIA have generously supported the initiative with short works, solos or defined being developed, tested or group dances in the making. Graduated after but also before and Cecilia have never known. Even among these alumni now professionals, there are many missing, who wanted to participate but failed. Graduate course in the Dance Theatre of "Paolo Grassi" means not only to cultivate a dream but so often achieve it. How could he also wanted to Cecilia. Marinella
Guatterini



FESTIVAL THEATRE - SHALL WE DANCE: FOR CECILIA
Saturday, October 25, 2008 - Drama School Paolo Grassi
auditorium from 16:30 to 23

ORDER PERFORMANCES: 16:30

COMPANY CROLLOPROSPETTICO (YARD) "IN VITRO" IN-STABLE COMPANY
16:50 (YARD) "VACUUM"
17:15 LARA Guidetti and SANPAPIE '"ISANTANEA OF BOH" Luke 17:40
Zang "THE END OF A LOVE" 18:00
ELEONORA Bonvini E FRANCESCA Penz " VIDEO
18:20 PAOLA BEDONI "BALANCE OF THE CLOUDS" (EXCERPT)
18:40 BREAK 19:30
BUFFET AND ELISA ZUCCHETTI ESPZ "Flipside - 1 STUDIO IN MILAN"
20:10 ERICA GIOVANNINI "PENCIL"
20:40 SHORT RANGE
21-23 POLE DANCING: SERGIO ANTONINO "Continuum" (video) Sandhya Nagaraj
"Lullaby"
Caterina Mochi Sismondi "jikan"
ISABELLA FILIPINO "FOR YOU"
ROBERTO Baffi "ONLY WITH CARPET"
YONG-MIN CHO "UNTITLED
Stefania D'Onofrio "WEDDING"
ADRIANA TOLEDO "TRANSITION"
POLE DANCING "FINALE"

Illegal To Own Gold Bullion

Theatre Festival 2008 - Milan

Saturday, October 25, from 16 to 23

Drama School

Paolo Grassi

Shall We Dance? Cecilia

The dancers ex-students in the Dance Theatre return to Milan from many parts of Italy in Europe to remember their friend Cecilia Poli, who died prematurely. A dance marathon, an anthology of performance, evidence of the vitality Dance Theatre of course within the school.

Crolloprospettico presents:

Invitro

a performance of

Marco Di Stefano and Francesca Romano

with

Lorraine Amico, Marco Di Stefano, Francesca Romano

16.30

schoolyard

Invitro is the first movement of a work on altering an experiment on the links that run between an individual and what feels different and something else. We are willing to let the "other" in our space in our time? What is the limit of our endurance, our availability? What is the point at which the play ends and racism begins? Trivial questions. Or maybe not. Do not know yet. We have yet to understand the meaning of this path. We still have to figure out if this work is useless. Or terribly necessary.

In-vitro-first movement is dedicated to Abba, the original boy killed in Burkina Faso bolted last month for stealing a packet of biscuits in a bar near the Milan Central Station.

Marco Di Stefano for Crolloprospettico

Im Pregnant And My Left Shoulder Blade Hurts?

MOTHS

of

Marco Di Stefano

Director Carlotta Origoni

By Martin Desantis, Elisa Teeth, Daniel Gaggianesi, Vincenzo Giordano, Mario Gualandi, Sara Urban

A production Crolloprospettico / Theatre Filodrammatici

Monday, October 6, at 21 square Dettori
Small Auditorium in New Cagliari

Sensitivity is the brainchild of the New Teatro Nuovo in Naples and the Teatro Pubblico Campano, with the support of ETI Italian Theatre, which were complemented by six national theatrical reality (AMAT, Pugliese Public Theater, Teatro Stabile delle Marche, Teatro Stabile of Sardinia, Teatro Stabile of Innovation Filodrammatici, Festival Internazionale di Andria Castel dei Mondi ) with the aim of presenting new talent, actors, directors and writers, the Italians under 40 years. Among the thirty projects show presented at the Theatre Festival Italy (Naples 10 to 13 October 2007), the seven finalists will be made nellle circuit city locations and at participating theaters. In particular, the Teatro Stabile of Cagliari in Sardinia sponsor performances of "The Songs of Maldoror", "Oh Happy Day!" "Moths" and "Comedy suddenly."